I quote this verb “ Tsan” from the meaning of “seeking one’s being through meditation” in Buddhism. The piece is to read recurringly through meditating the internality. During the evolution of the piece, the sound defines a process in search of the being. The Pitch E is the mostly used in this piece, and the neighboring tone D-sharp and C-sharp also appear sometimes. The resonance and the flexibilities in the single tone defragmentated my reading from a plain mood originally. I wish to share “Tsan” by having audience create their own imagination through listening to the performance.