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作者 李元貞
年代 2005
領域 音像藝術
媒材 室內樂曲
作品出處 國立臺灣藝術教育館
資料來源 94年度教育部文藝創作獎得獎作品
榮譽紀錄 室內樂曲優選
創作理念 I quote this verb “ Tsan” from the meaning of “seeking one’s being through meditation” in Buddhism. The piece is to read recurringly through meditating the internality. During the evolution of the piece, the sound defines a process in search of the being. The Pitch E is the mostly used in this piece, and the neighboring tone D-sharp and C-sharp also appear sometimes. The resonance and the flexibilities in the single tone defragmentated my reading from a plain mood originally. I wish to share “Tsan” by having audience create their own imagination through listening to the performance.

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