活動期間 :110-1-6~110-1-20
地點 : 本館第3展覽廳
本展為羅凡晸個人書法首展，包含書體與詩文創作。在將近四十個年頭裡與「墨」的互動中，一切「緣起性空」。故將展覽主題定名為「墨緣起性」，將「空」意隱藏在未見的句末中，利用漢語的綴聯想像讓本展意涵更為豐富。
聚焦賞析：以甲骨、金文、楚簡、傳抄古文字、小篆、簡帛隸書，及傳統行、草、楷等書體創作，展現漢字構形演變之美。
This is Lo Fan-Chen’s first solo Chinese calligraphy exhibition, which involves his calligraphy and poems. For nearly forty years, in the process of interaction with “Calligraphy”, Lo has had a deep insight into dependent origination and emptiness in Nature. Therefore, he uses “Nature Emerging from Predetermined Binding to Chinese Calligraphy” as the theme of his exhibition.
Focus：Lo manifests the beauty of Chinese characters by copying ancient characters, such as oracle bone script, bronze script, Chu bamboo slips, petit sigilaire, official script on bamboo and silk, running script, cursive hand and regular script.
地點 : 本館第3展覽廳
本展為羅凡晸個人書法首展，包含書體與詩文創作。在將近四十個年頭裡與「墨」的互動中，一切「緣起性空」。故將展覽主題定名為「墨緣起性」，將「空」意隱藏在未見的句末中，利用漢語的綴聯想像讓本展意涵更為豐富。
聚焦賞析：以甲骨、金文、楚簡、傳抄古文字、小篆、簡帛隸書，及傳統行、草、楷等書體創作，展現漢字構形演變之美。
This is Lo Fan-Chen’s first solo Chinese calligraphy exhibition, which involves his calligraphy and poems. For nearly forty years, in the process of interaction with “Calligraphy”, Lo has had a deep insight into dependent origination and emptiness in Nature. Therefore, he uses “Nature Emerging from Predetermined Binding to Chinese Calligraphy” as the theme of his exhibition.
Focus：Lo manifests the beauty of Chinese characters by copying ancient characters, such as oracle bone script, bronze script, Chu bamboo slips, petit sigilaire, official script on bamboo and silk, running script, cursive hand and regular script.
